スキップしてメイン コンテンツに移動

Forever Changes - Love (1967)

Forever Changes - Love
When I talk about this band to my friends, some still don't know them.  Love are sometimes called as "obscure" or "underground," which makes me very sad.  Though they are often described as "underground," they affected The Doors, Led Zeppelin, and even The Rolling Stones (Love's singer, Arthur Lee recommended The Doors to Elektra Records, and The Stones wrote "Goin' Home" after they saw Love on stage). 

You can see the similarity between "Goin' Home" and Love's first album. 

Since the band were fans of The Byrds, they invited The Byrds' manager and singer songwriter, Bryan MacLean to join their band. Jac Holzman's Elektra signed Love in 1966, and this is their 3rd album.  It's surprising that Neil Young, who was a fan of the band, and Bruce Botnick, who was The Doors' producer at that time planned to produce this album, but Neil Young wanted to focus more on his own projects like Buffalo Springfield, so this plan was abandoned. 
Instead, Arthur Lee and Botnick produced this and started recording at Sunset Sound Recorders in June 1967.
However, the band was inable to play at first because they were high on acid lol, so Botnick invited a group of session musicians called Wrecking Crew to the studio, and they recorded two songs.

Speaking of Wrecking Crew, they actually played in many A&M works and "Roger Nichols And The Small Circle Of Friends" as well. This song is one of the songs in which Wrecking Crew played. By the way, I love this album cover!

Except "And More Again" and "The Daily Planet," Love managed to record all the songs without Wrecking Crew.

Arthur Lee wrote 9 songs and Bryan MacLean penned "Alone Again Or" and "Old Man." Neil Young arranged "The Daily Planet," and David Angel did orchestral arrangements. 

My favorite song is "Maybe People Would Be The Times Or Between Clark And Hilldale."
I think "Alone Again Or" is often picked up as the best song of the album, "Maybe People Would Be ~" is the little known masterpiece, then.
So far, I listened to their three albums - Love, Da Capo, and Forever Changes, but I think this album is the most renowned and fascinating one in which Spanish music and rock n' roll are strangely mixed.  
So, if you don't know Love yet, I highly recommend this album! 

コメント

このブログの人気の投稿

Red Rubber Ball - The Cyrkle (1966)

As I mentioned The Cyrkle in John Simon's album , I picked up The Cyrkle's Red Rubber Ball today! Don Dannemann and Tom Dawes met at Lafayette College in Pennsylvania and formed a band called Rhondells, and Brian Epstein, The Beatle's manager at that time, found them and that led to their contract with Brian Epstein's NEMS Enterprise in 1966. They were renamed as The Cyrkle (and it is said that John Lennon provided them with their unique spelling of their new name!), and released their debut album called Red Rubber Ball . Tom Dawes toured as a bassist of Simon & Garfunkel's band, so it is said that Paul Simon gave him a song "Red Rubber Band" penned by Paul Simon and The Seeker's Bruce Woodley. This debut album was produced by John Simon as I mentioned before, and this was released from Columbia and became the first hit for both The Cyrkle and John Simon.  Red Rubber Ball reached No.2 on the Billboard Hot 100, and Paul Simon also reco...

John's Simon's Album - John Simon (1970)

John Simon's Album - John Simon John Simon is a producer who produced Janis Joplin, Blood, Sweat & Tears, and Simon & Garfunkel.  He has been familiar with music and a music lover since he was a child, and he produced The Cyrkle's Red Rubber Ball after he graduated from university. Red Rubber Ball - The Cyrkle I personally like this Cyrkle's Red Rubber Ball and want to cover the title song someday.  I think I should pick it up to write about here in the near future, for I have this album as well, and I think it's worth listening. Anyway, before I can write about that here, here's The Cyrkle's "Red Rubber Ball." This song became the first hit to John Simon as well as The Cyrkle, and his turning point was when he met Bob Dylan and The Band in Woodstock in 1970. That was a year after the famous Woodstock festival, and Bod Dylan inspired him to write his own songs and record them.  It is little known that he recorded several songs ...

The Madcap Laughs - Syd Barrett (帽子が笑う…不気味に / シド・バレット)

久々の投稿となってしまった今回は、今まで英語で書いてきたのですが、これからは日本語でも少しづつ書いていこうと思っています。 目標は一日一投稿!(といっても本当に続くのかw) ということで、今回は元ピンク・フロイドのメンバーで、バンドを作ったとも言ってもいい、私の大好きなシド・バレットについて紹介してみたいと思います! といっても… 日本語で彼の名前を検索にかけても、あんまり引っかからないことが多くて、日本での知名度はいま一つ(汗)な感じですが、この人、実はいろんな意味で伝説的なんです(笑) まずは、このソロ第一弾の紹介ですが、68年にピンク・フロイドを離れた後、バンドのプロデューサーであったピーター・ジェナーが、このアルバムをプロデュースしようと試みるものの、2か月で断念。シドの精神治療後、69年4月に録音が再開され、ソフト・マシーンのマイク・ラトリッジ、ヒュー・ホッパー、ロバート・ワイアットの3人、ハンブル・パイからジェリー・シャーリー、またピンク・フロイドからはデヴィッド・ギルモアとロジャー・ウォーターズもバックに参加し、ピーター・ジェナーから引き継いだマルコム・ジョーンズのプロデュース下で録音されました。 ソフト・マシーンとシドとの交流といえば、他にもケヴィン・エアーズに頼まれてシドがバックに入ったReligious Experienceという曲もあります。 これがねぇ~、サイケ好きにはたまらないんですよ~ このアルバムには関係ありませんが、一応ビデオ載せときますね! さて、少し脱線してしまいましたが(笑)、このアルバムの魅力は、まずカオスさにあります(ディスってるわけじゃない)。 曲も幼少期に乗った思い出のタコ型の遊園地の乗り物や、ロックが好きじゃない彼女を尻目に彼女の妹と付き合っちゃう歌まで色々ですが、一番カオスなのは12曲目のIf It's In Youでの声裏返ってやり直してるのに全部カットせずそのまま入れているところ(笑) シド本人までカットしてくれとその曲で言ってるのにも関わらずしていないっていう(笑) いや、フツーになんでやねん!ってツッコミたくなるけど、そこが良いところなんです(?) ということで、ここまで書いたんだからちょっと聴かせろよって方もいらっしゃると思うので、もちろん載...